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Dwarves have the Talent Sturdy, which gives a +5% to Dodging and a +10% max Vitality. Dwarven Guile gives players +1 in Sneaking. The Skill innate to this race is Petrifying Touch. Lizards have the Talent called Sophisticated, which gives them +10% Poison Resistance and +10% Fire Resistance. Spellsong gives dwarves +1 to Persuasion. The Skill built into this race of beings is Dragon's Blaze. The Undead are the living-challenged version of the four races. They will have the Talents of whichever Undead race they choose. In addition, they have the Play Dead Skills. The Undead can also heal from poison and will take damage from standard heal

Divinity: Original Sin II pulled off the impressive task of taking the kitchen sink approach to game design by cramming as much into it as possible yet somehow making it all work, making it a fantastic title for solo or multiplayer gaming. Playing the Divinity: Original Sin is not required to enjoy this title or its story, though having played the first SLG game Patch notes will make the experience more rewarding. Everything about Divinity: Original Sin II is of the highest quality and any negatives that could be said are basically nitpicking, such as the camera angles might obscure characters one percent of the time or the inventory set up isn't as nice as you've seen in some other games. No game is perfect, but this one comes closer than most. Larian Studios created a masterpiece with Divinity: Original Sin and using that as a template and listening to player feedback during the development process, they challenged themselves to create a superior successor and accomplished that goal. Divinity: Original Sin II is not only a contender for best game of 2017, but one of the best RPGs ever created. The game could easily take a hundred hours to complete and the interplay between the well-constructed story, gameplay mechanics and player freedom creates a world I could see myself revisiting with different parties just to watch the story unfold differently. Simply put, Divinity: Original Sin II is truly divine.

On the note of killing magisters, combat in Divinity: Original Sin II is a complex but enjoyable affair. Battles are turn based with everyone having a set number of action points every turn. There is no finite MP meter but everything costs AP, including moving on the battlefield, and a lot of skills have a cool down period. Elevation factors into battle as well, with those on higher ground getting a damage bonus while those beneath them suffer a penalty. Trying to damage an enemy typically requires wearing away their physical or magical armor points before their vitality can directly be damaged but there is more to success in battle than just chipping away at someone's life bar. There are numerous status effects and elemental factors that can be used in battle, whether causing continuous passive damage, incapacitating foes or buffing or debuffing. Covering an area with oil for example will inflict slow status on people who wander into it, and if that doesn't sound bad enough a fire attack can be done on the oil covered surface to make everything burst into flames, setting anyone in the effected area on fire and causing passive damage for a number of turns. Should the player find themselves on the receiving end of this tactic, having someone with the ability to make it rain can remove the flames and burning status but can end up creating steam clouds, which sets up the board for a whole new set of problems.

Next, go with a Ranger. Put a point into Warfare. Then, select First Aid, Ricochet, and Pin Down as Skills. Finally, the player might want to go with a Shadowblade with points in Polymorph and Scoundrel, with Chameleon Cloak, Backlash, and another Skill of the player's choice selected. Some players enjoy using Chicken Claw while others swear against

In a departure from the first game where the player assumed the role of a Source Hunter to rid the world of the forbidden magic known as Source, we are now taking on the role of a Sourcerer. Taking place 1000 years after the events of its predecessor, the story begins with the player being held prisoner in Fort Joy, a misnomer if there ever was one. The Divine is dead and the Void is expanding, which will eventually consume this godless world if it remains unchallenged. Sourcerers are taking the blame for this turn of events, with the player being the main target for the Magisters of the Divine Order's witch hunt. Fort Joy is where you were sent to be "cured" of your powers. While the specific method of "curing" is not spelled out in detail, the self preservation instinct kicks in to send the message the only objective for now is to get the hell out of Fort Joy.

The aforementioned slight impact on our reputation for taking out those guards and subsequently taking out some rather high ranking magisters was they started to engage Fane and company in battle on sight in Fort Joy, which is brought up to illustrate how player choices impact the game's environment. Had Fane not decided to slay about a dozen magisters they probably would have remained peaceful to us, but that is part of the appeal of Divinity: Original Sin II. A player doesn't have to be a homicidal maniac if they don't want to, there are nonviolent options for getting one's way either through charm or intimidation, or alternative routes to take to reach the desired location. Doors can be broken down, locks can be picked, or keys can be "found" or maybe someone can be sweet talked into opening. This is a game that is possible to complete while killing every NPC but that's not the only or even recommended way. Up until those guards messed with my kitty Fane was using the nonviolent solution to every encounter that he could, but we were able to change our social activity on the fly and the game immediately adjusted. Interaction with NPCs, both party members and everyone else, is a crucial aspect of shaping a player's role and standing in Rivellon.