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On the note of killing magisters, combat in Divinity: Original Sin II is a complex but enjoyable affair. Battles are turn based with everyone having a set number of action points every turn. There is no finite MP meter but everything costs AP, including moving on the battlefield, and a lot of skills have a cool down period. Elevation factors into battle as well, with those on higher ground getting a damage bonus while those beneath them suffer a penalty. Trying to damage an enemy typically requires wearing away their physical or magical armor points before their vitality can directly be damaged but there is more to success in battle than just chipping away at someone's life bar. There are numerous status effects and elemental factors that can be used in battle, whether causing continuous passive damage, incapacitating foes or buffing or debuffing. Covering an area with oil for example will inflict slow status on people who wander into it, and if that doesn't sound bad enough a fire attack can be done on the oil covered surface to make everything burst into flames, setting anyone in the effected area on fire and causing passive damage for a number of turns. Should the player find themselves on the receiving end of this tactic, having someone with the ability to make it rain can remove the flames and burning status but can end up creating steam clouds, which sets up the board for a whole new set of problems.

It would make sense that the player may want to build out a party that is balanced all the way through. If the player has a character that performs ranged area attacks, then they might want to have fewer melee characters that could be hit with friendly-fire. Summoners can help fill the gap created by having fewer melee players. Players will also want to avoid party member builds that cancel each other out, such as a one Air magic and another with Earth, or one with Water magic and the other with F

Perhaps players want to throw caution to the wind and create a team that consists entirely of melee or ranged characters, even though each of those will present unique challenges. Some players prefer to go all-in on one damage type, whether it be physical or magic. It can make some battles harder, but the overall experience more enjoyable. Some prefer to min/max their characters and party. If the player is unhappy with their builds, they can change the specs of the characters later on in Divinity Original Si

Set roughly a thousand years after the events of Divinity: Original Sin, the story begins with all the Origin characters along with the player and other NPCs on board a ship taking them to the prison island of Fort Joy, guilty of all being able to use the power of source like Rivellon's equivalent of a witch hunt. Source was declared an evil force, and all sourcerers have been rounded up and fitted with source muting collars to prevent them from unleashing their powers, which is quite a reversal of circumstances from its predecessor where the player took on the role of a source hunter. The time on the ship serves as an introduction, a way for the player to get comfortable with the mechanics of the Slg game heroes and get a sense of the story. They are free to explore the ship and get a feel for interacting with NPCs and combat. This sequence will end the same way regardless of the player's choices, and that end is unfortunately on Fort Joy, possibly the most ironically named place in Rivellon. Escaping from Fort Joy is the primary objective, but the speed at which this task is completing and how exactly the player goes about this is entirely up to the individual.

Winter Boots are an incredibly useful item to have available to the player in Divinity Original Sin 2 . This crafted item provides the player with invulnerability to the Frozen effect, which will protect them from slipping on Frozen surfaces that they or their party run over. The player will be grateful to have crafted Winter Boots in advance of certain sections of the g

Dwarves have the Talent Sturdy, which gives a +5% to Dodging and a +10% max Vitality. Dwarven Guile gives players +1 in Sneaking. The Skill innate to this race is Petrifying Touch. Lizards have the Talent called Sophisticated, which gives them +10% Poison Resistance and +10% Fire Resistance. Spellsong gives dwarves +1 to Persuasion. The Skill built into this race of beings is Dragon's Blaze. The Undead are the living-challenged version of the four races. They will have the Talents of whichever Undead race they choose. In addition, they have the Play Dead Skills. The Undead can also heal from poison and will take damage from standard heal

There are many treasures and interesting hidden encounters on the island and a good portion will be missed if the player is fixated on only solving the quest that is supposed to lead to the escape from Fort Joy. Original Sin II gives the player a lot of freedom in regards to their play style and how they want to interact with NPCs, but remember that every action carries its own consequence. During the review play through, Fane started peaceful and diplomatic with all magisters and other NPCs lurking about Fort Joy and always sought a non violent solution for each encounter, that is until one particular incident happened. A cat had decided to follow us, and even thought with the Pet Pal talent he didn't speak very much he was a friendly companion. During some exploration of Fort Joy Fane and his companions came near a locked gate, they weren't causing any trouble and guards told us to step away. As we started to take our leave a guard shot an arrow at the cat without provocation killing it instantly. These guards then saw a display of poison and fire that left their charred, broken corpses arranged in a display that would make John Wick proud. A well timed autosave from not even five minutes prior allowed for a load where the feline companion was back good as new, but this time Fane was getting on the other side of that gate, and these same guards were preemptively killed again before they could bring any harm to the cat. This had a slight impact in how the magisters viewed us in town, so from this point on the play shifted to a much more aggressive style that was intolerant of magisters.